Following hot on the heels of the 300B Newtons, I'm turning my attention to what sits between them and the turntable cartridge.
I want a circuit that is differential throughout, like the 300Bs, and is well regarded enough to have a good chance of replacing the Whest, which is itself a very good stage.
So I've given myself a bit of a challenge here - the Allen Wright-designed RTP3C. The elegance of it pleases me the same way the 300B Olson circuit does, and it seems to be very well regarded. Three differential stages from phono cartridge to low-impedance output.
My plan is to build it as two monoblocks, my hope is that doing it this way should leave room for the power supplies and remove the need to mess about with umbilicals. Yes, I know that the power supply is usually separated for this design, but there are plenty of phono stages out there that have the power supply in the same box and they work fine, I'll just have to take care with layout and grounding. Also, the fact that the LCDuino relay attenunation / source switching system I use decouples the actual relay boards from the control interface means I can monoblock it without compromising ease of operation.
Turning to the circuit, linked below. I'm toying with the idea of maybe substituting a 6C45PI in the first stage, to increase the phono stage gain a bit, although I haven't worked out yet how that will affect the RIAA response (also, oscillation risk?). And possibly a 6H30 in the output stage to lower the output impedance - I want to get that down as low as possible because of the low impedance input on the 300Bs and the long cables that run to them. Probably won't bother with the "superregs" - I'm sure Kevin Carter's shunt regulated supplies or similar will be fine.
I do have a copy of the Tube Preamp cookbook so I'll be poring over that, as well as this DIYaudio thread. Progress will likely be slow as I have other things I need to be sorting out, but I thought I'd pop this up here as a starting point. Circuit below (I cleaned this up a bit from the low-rez GIF, but the process 'filled in' the dotted lines representing the grids!). The first step will be a Spice model to see the effect of swapping out to different valves.
Wright RTP3C pre-amp
- Thermionic Idler
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#1 Wright RTP3C pre-amp
Deck: Garrard 301 - Audio Origami PU7 - NW Analogue DH3S
Phono: Pete Millett LR, Lundahl SUT, AMB σ22 PSU
Linestage: Bruno Putzeys Balanced Pre + Hans Polak relay mod, LCDuino control
Power amps: 300B PP 'Symmetric Reichert'
Speakers: FF225WK Big Mets
Phono: Pete Millett LR, Lundahl SUT, AMB σ22 PSU
Linestage: Bruno Putzeys Balanced Pre + Hans Polak relay mod, LCDuino control
Power amps: 300B PP 'Symmetric Reichert'
Speakers: FF225WK Big Mets
#2 Re: Wright RTP3C pre-amp
I think you will find the gain is set by the jfet not the valve.I'm toying with the idea of maybe substituting a 6C45PI in the first stage, to increase the phono stage gain a bit
It a cathode follower stage, the output impedance is set by the valve gm. I think a 6h30 and ecc88 have about the same transconductance.And possibly a 6H30 in the output stage to lower the output impedance
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- Thermionic Idler
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#3 Re: Wright RTP3C pre-amp
Ah, so the only thing I'll gain then is oscillation. I'm currently ploughing through the DIYaudio thread and there is some discussion around the first jfet and its effect on the gain.
I just checked the data sheets, and it seems the 6H30 transconductance is 18mA / V, and the ECC88 / 6DJ8 is about 12.5mA / V. Big enough to make a difference?
Deck: Garrard 301 - Audio Origami PU7 - NW Analogue DH3S
Phono: Pete Millett LR, Lundahl SUT, AMB σ22 PSU
Linestage: Bruno Putzeys Balanced Pre + Hans Polak relay mod, LCDuino control
Power amps: 300B PP 'Symmetric Reichert'
Speakers: FF225WK Big Mets
Phono: Pete Millett LR, Lundahl SUT, AMB σ22 PSU
Linestage: Bruno Putzeys Balanced Pre + Hans Polak relay mod, LCDuino control
Power amps: 300B PP 'Symmetric Reichert'
Speakers: FF225WK Big Mets
#4 Re: Wright RTP3C pre-amp
Well, 18 is different to 12, so yes it will make a difference, not sure if its a difference that matters or not. 60R instead of 80R something like that.
I got the gm from this page
http://www.triodeel.com/6h30.html
I got the gm from this page
http://www.triodeel.com/6h30.html
Whenever an honest man discovers that he's mistaken, he will either cease to be mistaken or he will cease to be honest.
- IslandPink
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#5 Re: Wright RTP3C pre-amp
It's a good circuit, I heard Allen's at ETF in 2004 or 2005. It seemed the best non-LCR circuit on the day, that made it better than about 20 other circuits people had slaved over.
"Once you find out ... the Circumstances ; then you can go out"
- Thermionic Idler
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#6 Re: Wright RTP3C pre-amp
Mmm, maybe not enough of a difference for me to lock myself into EH/Sovtek. ECC88's are available everywhere. Maybe I should do PCC88's...Nick wrote: ↑Sat Mar 06, 2021 6:56 pm Well, 18 is different to 12, so yes it will make a difference, not sure if its a difference that matters or not. 60R instead of 80R something like that.
I got the gm from this page
http://www.triodeel.com/6h30.html
Deck: Garrard 301 - Audio Origami PU7 - NW Analogue DH3S
Phono: Pete Millett LR, Lundahl SUT, AMB σ22 PSU
Linestage: Bruno Putzeys Balanced Pre + Hans Polak relay mod, LCDuino control
Power amps: 300B PP 'Symmetric Reichert'
Speakers: FF225WK Big Mets
Phono: Pete Millett LR, Lundahl SUT, AMB σ22 PSU
Linestage: Bruno Putzeys Balanced Pre + Hans Polak relay mod, LCDuino control
Power amps: 300B PP 'Symmetric Reichert'
Speakers: FF225WK Big Mets
- Thermionic Idler
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- Location: Southsea
#7 Re: Wright RTP3C pre-amp
I must admit to still having an interest in LCR stages. I don't know if there's a way of making them work in a differential circuit like this one though is there? (without doubling up on inductors - nightmare of ££££ and matching). All the examples I've seen seem to suggest a T-filter, arranged single-endedly.IslandPink wrote: ↑Sat Mar 06, 2021 7:31 pm It's a good circuit, I heard Allen's at ETF in 2004 or 2005. It seemed the best non-LCR circuit on the day, that made it better than about 20 other circuits people had slaved over.
Deck: Garrard 301 - Audio Origami PU7 - NW Analogue DH3S
Phono: Pete Millett LR, Lundahl SUT, AMB σ22 PSU
Linestage: Bruno Putzeys Balanced Pre + Hans Polak relay mod, LCDuino control
Power amps: 300B PP 'Symmetric Reichert'
Speakers: FF225WK Big Mets
Phono: Pete Millett LR, Lundahl SUT, AMB σ22 PSU
Linestage: Bruno Putzeys Balanced Pre + Hans Polak relay mod, LCDuino control
Power amps: 300B PP 'Symmetric Reichert'
Speakers: FF225WK Big Mets
#8 Re: Wright RTP3C pre-amp
It can be done but yes, lots of inductors.
Whenever an honest man discovers that he's mistaken, he will either cease to be mistaken or he will cease to be honest.
- IslandPink
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#9 Re: Wright RTP3C pre-amp
I need to look at Stephen's site, but I think the 'BlauHimmel' phono that I liked the best of all at ETF might have been differential . It was monster though.
"Once you find out ... the Circumstances ; then you can go out"