little eddy wrote:
EDIT - Although having no experience of this, I would guess that the heater current/power must have an effect on the sound and that the greater the heater current, the more 'control' or 'aithority'.
I've never heard that theory before !
Me neither!
If it's the line amp you're talking about then ECC82's (or by whatever other number) would be ideal.
"No matter how fast light travels it finds that the darkness has always got there first, and is waiting for it."
OK so taking on board Mike's passive proposal, a couple of comments by Nick and also a posts on DIYaudio regarding cascode CCS and CF protection diodes, I have the following two options for the line amp.
What do people think about the cascode CCS? Worth trying from the outset?
Attachments
TD-125/RB250/MC25FL & 'Snail' phono, NAS/SBT with CS4398 DAC, 41MP pre & MoFo Power, still messing with OBs.
I've used a few of Kevin Carter's CCS kits here and there - they are lovely and so simple ... but then so are most constant current source setups - v.useful!
Mike H wrote:Personally I'd get the 10M45S and a bit of plain matrix board rather than shell out for someone elses kit.
I'm not cynical - just tight. A stripboard design is being provisionally laid out at the moment but if it then looks pretty straightforward will elect to hard wire.
TD-125/RB250/MC25FL & 'Snail' phono, NAS/SBT with CS4398 DAC, 41MP pre & MoFo Power, still messing with OBs.
While I now pull together a BOM and then get the bits for the line stage, my attention tonight has on the phono stage and how I am going to incorporate my changes in the donor enclosure.
What might be the simplest implementation would be to try and use a significant proportion of the 'mounting plate' that you can see in the previously posted photos.
But looking at the general layout, if I opt for Nick's recommendation of parallel ECC83s, CC gain stage and CF output, what would make this much simpler to build on the current platform would be if the gain stage and CF were of the same valve type because the current layout is basically dual mono.
If I take Nick's original recommendation for the gain stage as the 12AY7/6072a, AN often use this in their preamps also as the CF. Would this work well, or might there be a better valve if it were to share these duties? Or is this too much of a compromise and a separate CF such as the 5687 would be beneficial?
EDIT - Scanning MJ last night, he has a scheme with ECC88 for CC and CF stages. I also think in the basic ThorstenL design although only as CF in this instance.
Last edited by little eddy on Fri Dec 10, 2010 3:54 pm, edited 1 time in total.
TD-125/RB250/MC25FL & 'Snail' phono, NAS/SBT with CS4398 DAC, 41MP pre & MoFo Power, still messing with OBs.